No Harm Intended
Anger:
When someone gets mad at me I feel like my world is coming to an end. I literally do. I have thoughts of ending my life, about how worthless I am, and about how I am not fit or made for this world.
Conflict confuses me. Anger scares me. And any type of disagreement makes me wonder why there is such a thing as discord. Particularly scary for me is the silent treatment, withdrawn emotion, or the ‘cold shoulder.’ It’s not the action or words that scares me, not even the person, it is the way my brain responds.
During conflict of any type, I go into hyper-speed and live through the worst-case scenarios, having flashes of all the feasible most horrific things that could happen as a result of the situation. I experience my thoughts as complete visuals—full on scenery, liken to vivid dreaming, with emotions, sensations, full color and sound. I experience multiple mini-scenarios in a matter of seconds. And I come out bewildered and exhausted, and barely able to focus. With all of this, I have this emptiness as well. When I am triggered by conflict, I want to make a plan and make a plan fast. If I have a plan, I think I will be okay. I will find my way out and survive. If I don’t have a plan, I find it hard to concentrate on anything else. In order to have a plan, I must first evaluate the situation, find feasible reasons why the event is happening, and then set about to find solutions. I get stuck at each step, push myself out and then loop through again. My entire worst fears surface. Without doubt, I know it is the end. It feels like a death of sorts.
I am not afraid of the fighting itself. But I am very terrified of how I will react. I know with certainty I am not a wimp or codependent. I stick up for myself and state my needs, set boundaries, and make choices to protect myself. I am not afraid of hearing about what is on the other person’s mind or even taking constructive (or not-so-constructive) criticism. I am not afraid to fight back verbally, if I feel threatened. It’s none of that; the fear all has to do with the inner workings of my mind and my response.
Authenticity:
I want to be myself entirely; so much so that the times I think I might not be behaving with authenticity, (e.g., using a tone that doesn’t reflect my inner thoughts and emotions), I beat myself up mentally. Inside there is some self-set standard of how to behave. If I am not true to myself there is a nudging inside that sits on me like the weight of a sandbag. How this heaviness exists and why it comes, I don’t know. How it determines right or wrong in relation to my inner ‘true’ being, I know not. With so much ‘not knowing’ going on it is amazing that this regulator of authentic self still exists. But it does.
In judging my authenticity I look at everything about my representation of self, including the way I walk, the way I talk, the manner in which I present myself, and each and every word I use. I do this repeatedly before I speak sometimes and always after I speak, wondering if what I am representing of self is self. I don’t know why this is so important to me—the act of over-analysis of self to find truth and authenticity—yet, I am psychologically locked in the same room as truth-seeking.
There are times I fight the being ‘real’ and want to turn it off, many times. There are times I want to tape my mouth shut and not speak. I can tell myself, even promise myself profusely, that I will not tell someone something. (This could be a simple fact, an aspect about myself, another or an event, a conclusion about an emotion, a revelation of sorts, or information that reveals an intimate aspect of a given situation.) But it doesn’t matter how I try to stop the train of what is words coming out of me. For despite my best attempts the locomotive comes, charging in with full force. And then I step back and think: “Here I go again.”
Truth:
I can’t live burdened and in that way I appear selfish. But the truth of the matter is I don’t want to be this way. There is another driver beyond me: a director. He is the one making the calls. Personally, this me, this person now that is consciously aware and writing, she would like to stop, she would like to remain silent, she would like to keep something to herself, but she cannot. She isn’t ‘allowed’ to be false or non-genuine. She isn’t allowed to house secrets.
She is sworn to this all-encompassing law of ‘the truth shall set you free.’ Only the truth is confusing. Only the truth can be convoluted and mixed up and come with a whole bunch of strings attached. The truth can be buried under an avalanche of ego-will and manipulation and selfish desire. The truth can be jaded by subjective perception and personal collected truths.
Yet, to be as authentic as possible, the truth itself must be unmasked, dug up and examined. Here in lies more work for my brain. For all at once, in conversation and outside conversation, I am examining self, looking for clues of dishonesty and non-representation of authentic being, while dissecting the elements that classify true truth.
As a result of this instinctual given necessity to walk through the world as a genuine representation of me, I can’t lie without deep regret and remorse; for the act of not being true feels like a direct affliction to my being, as if I wound myself in the process of falsehood. I have lied, usually in times I am trying to protect another, think I am protecting another, or confused, lost and overwhelmed. I have lied, and in the act felt wounded and wrong. I always regret and relive lies, in a perpetual purgatory, no matter how small or how well-intentioned I thought I was being.
In addition to outright lies, I can’t tell a partial truth without partaking in deep reflection of why I did such a (terrible) thing. I concentrate on the elements I left out of the telling, the whys of why I only told half a truth, justifying and then punishing the act. And I do the same if I leave out a detail of a story. For instance, in recollecting my day to someone the times events occurred must be exact. To say even a minute less or more, or a time a few minutes off, seems wrong. The details must reflect the truth of what I recall as much as possible, not too complex or too long-winded, and not ever leading someone in the wrong direction.
Reviewing Speech:
After I say something, like a sentence or two, to another, I go into review mode, a whole audience stepping in to decipher if what I said was 1) true 2) based on the best of my recollection 3) reflected from a state of wanting nothing in return but to be heard 4) lacking selfish motivation, manipulation, or covering up of any sort 5) not said to win someone over or gain sympathy 6) not missing parts that would take away from the true meaning or events.
While I am in review mode, there is a background interpreter 1) reliving the past events through a pictorial overview 2) rewriting a script of how I could have said something in a more authentic or kinder/loving way 3) watching myself go back in time and correcting what was said to better amplify truth 4) justifying said actions and suggestions through connecting back to previous learnings.
Need I say this all gets rather exhausting?
Linear Dialogues:
My linear dialogues are parallel and happen at the exact same moment. I am endowed with the capacity to triple- or quadruple-think. That is to say I can process several thoughts along separate lines at the same instant. So while one process is happening, so is another. And there is a finite goal to this reasoning, in which the lines of thought are straight and contain their own predetermined want of outcome and motivation for completion. I am along for the ride like a passenger traveling on three trains simultaneously.
Someone Observing:
The linear thinking on multiple parallel levels happens continually, in all conversations, and even in quiet moments of stillness when I am reflecting back to previous events. I also do this with my thoughts and behaviors when I am alone, sorting through this maze of how to be, as if there is a higher power checking in on me for my authenticity, or another person standing in a far corner observing me and evaluating. It is more natural, in fact, to move through the day with an imaginary overseer watching, then to move in the absence of no one but self. In some ways I don’t know how to exist without thinking I am observed. I am not paranoid. I don’t think someone is actually there. I don’t think I have to behave for them. I only feel I can’t watch myself, or be myself, or move without first seeing myself through someone else’s eyes. It’s always been this way. I am a participant in a game of hide-and-seek, not hunted, just found—again and again.
No Intention to Do Ill Will:
To some I might seem selfish or manipulative or purposeful in my intention to harm. But to me this is impossible. I simply cannot cause harm on purpose without great detriment to self.
I have tried to be angry on purpose and it doesn’t work. I have tried because in watching others it seems easier to live in denial, deflection, blame, rage, finger-pointing and the like. To be able to not fall into an abyss of self-evaluation, self-blame, and over-awareness, seems key. But I have surmised that I am only me when I am authentic, and in so being authentic and in so knowing the whys of how I act and how I feel, I cannot place blame on someone without denying a part of myself that knows I am always partially responsible.
I can’t hold grudges. My anger only comes when I am confused and overwhelmed or dreadfully scared. And so when another person is mad at me, if she or he accuses me and confronts me for being selfish, or purposely deceitful, or callous, or any a number of things that I avoid at all costs, I don’t understand.
I don’t understand how they can see me that way. I don’t understand how they don’t know I am constantly seeking to be my best. I don’t understand how they could ever, ever think I would harm on purpose.