414: Beyond Dreaming

Last week when I paused a movie, it was paused on accident at 11.11.11

11:11:11 means total recall, creative expression of who you are, and kindness/positive outlook. I just found out. Makes sense to me now. Statistically I wonder what those odds are at stopping a movie randomly at that precise number? That has been happening to me a lot with numbers. Many 3:33, 2:22, 1:11 patterns.

Last night I painted in attempt to process emotions. I was frustrated, sad, and in a (hormonal) angry state.
A figure kept popping up in the center that felt like my mother-in-law’s spirit. She recently passed. I focused on trying to release more and more energy as I painted, but was feeling a lot of energy blockage.

Here is the painting last night:

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Here is the painting today. Called ‘Beyond Dreaming’

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Like my writing, in the last few months, I have to paint. I don’t have a choice. So much energy is surging through me. A fire and burning passion. I cannot remove it as hard as I try. On my new blog: Belly of a Star, I have been writing some of the words I hear during my times of reflection.

When I woke up this morning, I had to change the original painting I did last night, and express what was in me. The challenge is I don’t see things like the typical person. I can’t hold the shape of faces in my mind, nor the ways bodies change as they move. For instant, how a nose looks sideways, or how a neckline appears. I often paint and paint, and all I see are flaws; until I see something I like, and then after a bit, I don’t like it. So, I paint. I erase. I paint. I become one with the process. And eventually the canvas starts to speak to me.

It is an excruciating process. I seem to go through much confidence, then fear, then doubt, then anger, then sadness and grief, and then after all the emotions, I am able to break free and create. This last piece took six hours. I am exhausted, yet, very much cleansed. I am also happy that this painting reflects the inner state of my being, currently.

I was told months ago, in prayer, before I ever started painting, that I would paint healing works, and that in taking photographs I would see energetic/spiritual images. I see one in the bottom of the canvas, for certain. And I find much healing in staring at this painting.

In looking back at the progression of my paintings, I notice a definite transition of spirit. From shapeless forms, to almost formed bodies, to people with no faces, to people with simple drawn lines for faces, to simple faces, to more complex faces. It’s as if my paintings followed my spiritual journey. Lately, I see that most of my paintings, beginning with the bear and the girl, are two people connected. Their body language usually conveys my spiritual state as well.

This series of works in chronological order shows a bit of the transition of my spirit reflected in art.

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The Shift

I think art therapy would benefit many people with Aspergers. It is more therapeutic than anything I have tried thus far.

391: The Affliction

The Affliction

At this moment I try not to attach to any one ideology or belief, thinking I live in illusion, and that, even the thought of illusion and knowing a semblance of truth, be further illusion, if illusion be. The complexities rendered through the delving of mind are both baffling and intriguing, pulling me in like the piece of an engine longing for lubrication, its sole purpose found in the concept of functionality. There is no other need, but to be anointed in the telling, so I can proceed forward in a time of no procession; this is indeed troublesome, and not, as no burden be found in a place of no time bent into illusion; thusly, it is so that even the emotions that purge from within and without are naught, but the imaginings of ghosts long ago past.

In saying this I prelude my own entrance, a necessity within no necessity; but nonetheless established as a fleeting truism for the traveler beset with weariness. In knowing my truth is not truth, I am thusly freed from the agony of discrimination of self; the endless dissection that occurs, rightfully and dutifully so, when one sets about to cling to illusion of form. In so being I am formless, and this argument, if claimed to be a quarrel, quibble say but light it be, exists phantom too, than whom does whittle with words, with such speech gathered from the where and when? And this, my friend, displays the propensity to be traveler lost within traveler. Precise to say, to recognize the dream is to be the dreamer, and in so being the one at slumber all is weaved into further name-saying causation. Instead of scribing truth, I merely dictate what is thought to be truth within my circumvented reality; therefor, unless I was to gather the truth of agelessness and the potentiality of the All and lather this upon the minds of the singular, I do nothing justice; say my own tethered thoughts still set out to sea, bobbling in the waves of uncertainty.

I speak this not to set the stage for trust or to further prove a point of no point, as there is no point worth proving when no point exists; nor is this trust I speak of, need be, for in form I appear not trustworthy no matter what I mumble, as I am in guise as this ruthless one set upon high or worse the victorious one celebrated. In the eyes of man, I can be none but judged; and there the dilemma is set; for how to curve an aspect of enlightenment without throwing the ball at the very victim who perceives himself to be. In this way I am nothing; neither scapegoat nor scriber of the ways, neither angel nor devil worse, or even the pen that hankers from the very end of limb; I am none and I am All, and what one sees is neither here nor there in this place of nonexistence.

How weary I grow in even telling such a tale of no tale and how my hands weep from the desperation within, further proof the illusion grows; to hide and never recede, to come forward but never enter, to move without ability to see, this is the truth; yet, how does one born of the singular I move in a world born of We, when each, as separate made, choses their own captivity? Tis foolish man’s game, one supposes, to even breech the subject of immortality when everywhere the banners fly blood; come hither, to this space of mine, she preaches, and at once scorned with the rest; perhaps this is the truest form of freedom, to be as the bird of song and not flee from the stones that follow; to sing at the top of the peak and not fear the fall of the morrow; for my song is unleashed upon the highest, and meek not I be; for no river nor valley has captured me; and all is unsung that never was.

How can I be such butterfly with unclipped wings, when all about I dance in the dirt and soils? How can I be the babe nearly birthed, when the canal of opening seems so variably charted and boarded still? Am I not a queen emerged without her captain, on a ship without sail, in a land of no sea? How I navigate in a ghastly wind of nowhere and land again and again upon the very stone I once passed. What is this me, who dangles her memories like sapphires and counts them as rubies expired? Who merrily sings as the serpent unwound, un-skinned, and turned magnificent; who am I but this trellis before me, the ins and outs of where the others leap and bound; am I both prisoner and freedom maker, trapped in the makings of my doings, unraveling one and then another to find myself time and time again; some traveler trapped in a dream of no morrows and no beginnings; waiting for time to peel back as mere shadow set upon thee.

Is this my cause? To rest as mermaid on the surface of earth while weeping tears of the oceans before me? Am I to be starfish drug out and enamored for her legs alone; plucked one by one from the depths of nowhere only to be brought up to the rim of naught; circle dancer I seem, trapped in this funny limbo; awakened and spirited, yet alone in my quest of no quest; for how can it be that in being me I am the key; yet I be not? And how can it be, in being you, you are the me, and you be not? How can this brain of no brain wrap around infinity and spring up anything renewed in renewal, when at my very depths are the limitless breaths of knowing; where shall I begin when there be no start; and how shall I end when timely death has all but vanished, leaving but his cape, the dark shadow of remembering banished.

Laugh, I dare not, as the gleeful me is no cause for celebration; and what to celebrate in such a dismal state as this; and weep, I cannot, as what is for the crying worth, when all about is the toys of puppeteer lost and scattered, abandoned with the coming of the unraveled wavering truth; to be given such a task of no sacrifice, but to feel the shells of sacrifice, as if each had been splattered and fired upon some soul of thee; to be given the world in a cup and to glance down and behold eternity calmed, yet know not what to drink but the vision beyond; how can I be such vision and such mortal, wrapped in this infinite coat of knowing, spread open, the flaps as distorted wings discolored in doubt. How can I be this butterfly broken, when surely the simple embrace does cast illusion silent and heart-strings grow, carrying the essence of me freely without the need of form?

Butterfly or ghost? What be I; magnificent or tangled, what am I? Can you not rescue me now before I surely split in two; the idol of want, the taste of judgment, the enticement of lies, eagerly eating away at the flesh I once was; as I stir in my chrysalis of unrest, evaporated by the ever peace of naught, haunted by the unearthly voices of angels, my living blanket of tranquility the one that trumpets doubt forward. Where am I inside this invisible film, my being wrapped and then wrapped again, suffocated in incubation, brought out to the fire of transformation, and made to nibble at her own skin; when suffering is promised not, when answers never were, when everywhere is hungry ghost whose appetite has vanished through; who is this dreamer and of what does she dream, if not of the place beyond dreams that I am to break through; but how, is her only question; how in the light of your ultimate glory can I testify this truth through the pages of illusion-maker; how can I prove what is not to be proven; how can I dance to the invisible music of invisible air and weave something of nothing; and so it seems, I must rest eternally, until eternity surrenders; and I, let out of this suit of circumstance am thusly braided into ceaseless sky, awoken not wingless but weaved into completion, the very heart of light freed.

388: Keepers of the Light

I invite you to listen to this song first.

I started singing You Light Up My Life, around the age of eleven. I think it was the only song I wrote down the lyrics to and memorized. That, and Away in a Manger. I used to sing songs at the tippy-top of my lungs, squeaking and squealing to anyone that would listen, including my downstairs duplex-landlords, who sometimes brought me indoors for cookies. I could tell when I sang, by looking in the observers’ eyes, that people didn’t think I sang super well or close to on key. I could tell they thought I was a lonely child searching for attention. I could tell that they were smiling in an attempt to help me feel accepted. But I couldn’t say all that. I didn’t think to say it. I didn’t know that everyone else, or most everyone else, didn’t think like me. I figured we all knew what was being unspoken. That we all just pretended we didn’t.

When I sang my heart out, I slipped into a fantasy world. I leaped across time and stood on stage. I imagined refuge in a bountiful light. I imagined being lifted and protected and seen. The song itself didn’t free me; nor did the audience observing. What freed me was the freedom I was—the capacity to be me. What trapped me was the realization that all about me others weren’t free.

There was a time where people approached me for my light. They were drawn to me. Something about me pulled them in. I know now it was and has always been Spirit. Then I did not know, and I didn’t wonder; I thought everyone had this; I thought everyone heard God and could see through people.

I remember going to the church around the corner, a Catholic cathedral where I never once attended mass. I was drawn there, at times, the little girl I was, with her un-brushed hair and with her big searching eyes. I would swing on the monkey bars in the church playground over and over, until my hands blistered. Then, if I hadn’t already entered, I’d walk quietly into the empty church and just breathe. I felt safe there. I felt connection. But I didn’t know why. The candles, the light of the candles, they spoke to me, as did the colors of the glass windows and the movement of sunlight through the grand space. I wasn’t frightened. I wasn’t alone. I wasn’t anywhere. I just was. Sometimes time stopped and I traveled into the future where I would walk in as full-grown woman and be, with the others, I would be.

I wasn’t a religious child. I wasn’t even spiritual. I was magical. I believed in magic everywhere. I believed everything, each and everything. I believed in everyone around me. And I loved everyone. I trusted them. I gave myself freely: my attention, my time, my love. I had an over-flowing abundance of love. And I was me. There wasn’t anything about me that I had created. I radiated from within.

Something about me, or perhaps something within me, gave me the incapacity to be anyone but me. This gift of being authentic was beautiful. But because I trusted and believed others so greatly and so freely, when they told me what they thought, I believed them. Because if they were beautiful and I loved them and they were perfect, then they must know, they must have the answers.

I believed when they, the others, told me that I was just a child and didn’t know things. I believed them when they said life was hard. I believed them when they cried and cursed what was wrong and unjust. I believed it all. And I began to see that I lived in a world entirely complex in its simplicity. I began to see that I held all the secrets of love and joy, but that none could see them. I knew how to laugh and how to make other people laugh; and I did so without intention or want; I just was joy.

Then came the passing of days, when I learned my joy was not enough. When I learned that my heart, no matter how big, could not make a difference—at least I thought. Soon as my friends grew older, they changed. Their views became more broken and fragmented, their opinions stronger, their hatred taking shape. Divisions were made, as I watched, fingers pointed, sometimes at me, but mostly at others. And everyone started playing this part that didn’t make any sense; except that their ways kept people, for the most part, in an imaginary role of control.

I began to see that love was divided and measured. I began to see that love came and went, as did people. I learned that love didn’t mean love; what some called love actually meant conditions and fleeting moments of spiked emotions of some sort that didn’t feel or look like love at all. I learned that whatever shape I took, I could receive part of this love, that wasn’t love. But since I couldn’t find the other love anymore, the one I held in the backyard during slumber parties and collected, as the others laughed with me, without cause or pause for judgment; since I couldn’t find that love anymore, I took what I could. It never felt right. It felt false from the start. It was false love created by my want for connection and the growing emptiness I had inside.

My actions seemed to define me. I seemed to become who people thought I was. It didn’t matter how much goodness I had inside me; no one could see it, unless they chose to. No one. And when they did think to see the goodness, it was because I emulated them; I showed them a part of themselves they liked, or wished to like. I showed a commonality or I complimented them by my presence or in my spoken words. I collected false-love this way: pretending to be who they wanted me to be in an attempt to connect. To say I played, would be false, as there was no joy in this. To say I fought, would be false, as there was no friction. It was a space and place that I am incapable of defining or marking. For how can I define a place in which everything was false—the only thing real my want to fill the emptiness of falsehood?

This falsehood permeated much of my life, far into adulthood. A falsehood that eventually blinded me as well, to my own inner light. I had to snuff my light to continue to exist. I was given no choice.

I had to extinguish who I was, if I ever wanted hope of connecting. At least this is what I conditioned myself to think. I learned to track the actions of another to determine my next move. I could tell from every flinch, every switch of voice, every motion. Responses were my indicators. Reactions my compass. I stopped feeling inside my own body. I became numb to my needs; everything was masked in my effort to predetermine how to respond to the responders. For I could see in their eyes the judgment, the dislike, the wondering. I could see so much that they wouldn’t ever say. Particularly their thoughts about me, or about the way they perceived me. I knew they thought what they dare not say. I knew there were all these connections going on just in seeing me. I was being categorized and dissected and figured out. It’s not that I thought I was that important, it was that I thought they were. I think all along I knew they were a reflection of me or at least a mirror to my own experiences. I knew we were one and the same, but didn’t know how to define the feeling. And so I would watch, until I laughed and joked, trying to squeeze the joy out of someone whom had seemed to forgotten where he or she put it.

Mine, my joy, was always there, right in me, never gone. Even with all the poured in sorrow, I had this joy. It was always growing and blooming. There was always hope. It seemed no matter how much the others responded in a way that carried the potentiality to sting like thorns, that I still kept my hope. There was this unstoppable faith. Something in that song about the light through the window, about the light itself; I knew this. I saw the light n my dreams and I heard light in the whispers. I knew my destiny. I knew my calling. But this too, I was often told was wrong. I was made in form divinely perfect, but undoubtedly I frightened people. And this brought me to a place of confusion, so very great, I dare not venture there even in thoughts and rememberings.

For how could I, one held by the angels and light, have been so terribly flawed? And why did all around me seem to be such blindness? I searched and searched as a child—in the trees, under the school buses, in the grassy fields—for reprieve. I slipped into my imagination. I hid in the shrubbery and shadows documenting my own thoughts. And I came to the conclusion I was someone made wrong; though even this, deep down I knew to be untrue.

In time, I learned to conform. I learned to tuck away the voice of truth and the rays of light. For I believed the misery of disconnection to be far worse than hiding my light. And so I hid, for a very long time. And though I was a keeper of the light, it dimmed.

And here the dark found me. So very freely, as if beckoned by the very ache of my soul. I walked forsaken to my self for decades. I learned, through my mind, to hear the lies before the truth. I heard the negative talk, and I collected this, for if I did not believe them, I could not be with them, and then I would have to be alone. In order to connect, I had to believe what others said about me. If I believed in my light and my angels, and in my very soul, than I would be without the company of humans. I would only have the invisibility of my hope and joy—and alone whom would I share anything with?

Eventually, the lies became my truth. My whole truth. I was what others created me to be. And then a shift happened, in which they were what I created them to be. I began to see like other people. I began to believe the lies. I began to think that yes, only my point of view counted. That yes, I am in control of my world. And yes, I am the most important and special. I began to be a love-leech collecting falsehoods. Love, love, love ME! I demanded. Love me through validation. Love me through listening. Love me through answering back how I expect and want you to respond. Outcomes became my life. Hope became my misery. I latched onto the yellow brick road of illusion. I thought, if I was just good enough, and right enough, and had all the answers I would WIN! I would be LOVED! This is what I was taught. This is what was walloped into me. This is what I ATE because nothing else was offered.

Until the pain of emptiness became so great that I knew I was wrong. I knew that life was not meant to be like this. I knew somewhere inside my little girl protecting the light was dying to come out.

For me this has been my greatest gift: my affliction.

My very agonizing pain was what set me free. The very discomfort that kept shouting within of the falsehood was my greatest joy. I was given a lantern since birth. And I walked four-decades pretending I was not, in hopes of gaining false love.

And now, as I step back, very much the little girl I was, with my lantern bright, I see I kept this light hidden for a purpose. I suffered for a reason. I suffered because everyone else was suffering. I didn’t retreat because I was so different after all. I just retreated a bit later along my path. I just retreated knowing I was retreating. There wasn’t anything different about me, except I was born awake. I was born with the affliction that is both my teacher and my cross to bear. I was gifted the wisdom at a young age, and through this affliction I was formed and made, through this affliction my lantern was fueled. I see this clearly, more clearly each moment I am here.

I see that we each have these lanterns, and that for some of us it hurts more to hide them. But we all have them. For some of us we know we are hiding them: this is the affliction.

I see now that I am struggling to turn up the lanterns of all, when all I need do is turn on my own.

In so many ways, in every way, I am that little girl, with her joy, with her lantern strong, standing on the hillside and beckoning my friends onward. Only this time I can see. I can truly see. I know now my once perceived greatest weakness is my greatest comforter. I know my need to be love, my need to shine, my need to be free is the only need I ever choose. I know that in my affliction I am made whole. I know that in my wholeness I honor each and every soul. For in the embracing of what has always been and shall ever be, I have embraced the world. I have embraced the light.

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Related Post: Behind the Curtain

375: Dark Virtues

Knock, knock, knock: This is judgment, I appear at your door, turning the knob, and begging you so. Come take me, release me, contour your edges into me; through your threshold bring me forward, that I may dance in your own silhouette and teach you of your great imperfection.

Oh, dear judgment, I see you, I recognize you, and I embrace you; come hither and dance in my bedsheets of imperfection. Penetrate me with your disillusioned skill, for I see your shape, pure disguise, a mask of humiliation set to place on my presentation. I know you well, the way you drive like screw into the bare parchment of my soul. Come here, closer, and delve into me and you shall find pureness and love and rapture. I am nothing of this calamity you claim, nothing of this disapproval or blasphemy. Smear my very name across your bedskirts, wind me round the posts, trumpet my calling of failure across the curtains billowed, out into the open free air. For I have dived into my deepest soul and found what lies there, a truth beyond this illusion you carry, in the creases of your darkening cloak. You cannot scour me with your lies or misgivings, as I banish them out with the same plate as fear. Feed you to the masses of angels readily waiting with appetite fierce to turn miserly offerings into blessings abundant. I hear you, I feel you, I take you fully, your bride-mistress, and here I sink my teeth into and divide you into smitherings; nothing but vanishing truths slithering away to the aforementioned hole in which you slithered from. I am higher than the serpent tongue with God’s grace at my glorious side, and your ways no longer tempt me; even as you breathe heavily into my ear, whispering of your knowing. For I know the truth of me, the light, the realism of fortitude, the castle rendering me angel in the heart. So go, my love, if I may call you so, leaving the residue of your scattered goodness, the crumbly truffles of reprieve and reflection in the trail of your lost dignity. Here I shall meander and nibble, eating of the limbs of you, the humility of resurrection. Treat me not to your judgment, oh unraveled one, for there is nothing in my ability that cannot devour you rightly so, and leave you shaking, the helpless shadow you be.

Knock, knock, knock: This is pride, I nibble at your doorstep, anchoring your goodness in my arms, rocking you like babe to chest, my precious adored one. How special you be, how singled out, how entirely worthy of my praise and gratitude. You are like kindle to my black-heart’s fire, though dead I be, you liven me with your coming.

Oh, dear pride, tisk, tisk, tisk, my precious one. How merrily you wait upon my stepping stones, waiting for the appearance of my smile. Do you not know that upon entering, I shall, like the visitors before and after, devour you in my sweetness? Your poisonous ways cannot beseech me. I see through you as the clear night sky to the endless stars. I see you in the ebony of my master’s eyes. His way, His gaze, His blessing set upon me through His gentle watching. You cannot abode me in your phantom glory, for you are no lesser or greater than the trespasser dressed in borrowed belongings, garbed in riches and dreams that do not beget me and fit me less than the horns upon the ram righteous and strong. I cannot lean into you, no less, less you jam into me first, and inject me with your venom pure, forge me onward for the coming of His name. For I know not how to go round you, evade you, or leave your plentiful sight without first taking you fully into me, and letting you bend in my very blood, your harboring devilish ways. Eat at me from the inside out and I shall ache and wane in the misery, knowing that when you rise again, less fed than drowned in my goodness, that I shall be the one victorious, claiming your opportunity vanquished and wiped out with the faith of my Lord. For you are but nothing, this glamorous foe, fooled by your own malice making. So come, come now, sweet cavernous pride, and ride me as the black rides the night, and I shall set my shining soul upon your stale skin and reach into the very heart of yours, pull out the tentacles and claim you naught. For you, above all, are illusion set out to cast the demon from my very mind, and spark him life. And for this I give you recourse, for this I give you your own filthy ways, a tar pit of mercy, for you to sink and harbor thusly in.

Knock, knock, knock: This is fame, sleeping at your staircase, my eyes set on the glory of your coming, my head set at your feet, bowing down in recognition of your name. Climb down the spiraling heights of you, and play with me, in your magnificence, so I may kiss this beauty known as you.

Oh, dear fame, I am coming. I hear you calling, but I rise up from the depths of you, neither ascending nor descending, but appearing as your equal. I carry nothing of the glory and gifts you speak or imagine, and nothing of me remains in the sight of you. For to see myself as lowly creature risen, I must see you as risen creature lowered. And still, as little and feeble as you be, I am no less worthy than the weakest that treads. And so I sit here at your own feet, imprisoned less in the light you display as good deeds, and more in the agony you set in my heart by calling me forward so. For how can I dance in a light that is mine when I cannot dance in the light that is you? How can I begin to proclaim my light worthy of the dance at all, and beg you to uphold the illusion you create me to be? Oh, grand fame, can you not see I am not made to be this phantom hero dressed in honors and badges of mighty? I am born to be given as the sacrifice, spread out and slayed, so that in my ruins the light from above may find me and shine down. So the very light of our world may seek refuge in my scarcity and inadequacy, and shine that much brighter. How can I shine for one, when the One I shine for is brighter than the heaven’s gates that beckon? No, my wavering fame; you are much less real than dream. Something I once touched long ago, and ran swiftly from, as one seized by the lion’s mouth does; for as I was almost bitten in your demise, I would rather remain caged in the glory of recognition from above, than in the praises of the phantom ghosts that chew away at my bones. Bid me not your partner rich, but sit upon my very lap, so I may adjust my view, and peer into the depths of you. And here I will remain until the story unfolds and the end remains unturned, your catered promises brought out in the open of day and laid out for all to peer upon. Here I can laugh, and with each chuckle disperse you into the air from which you came, lesser than dust, and greater than the deepest darkness. Here you can live, in the wind, as the wind is invisible yet pushes, and turns what was ripe and growing into dead droppings spoiled.

319: The Cloth

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“Love begets love. Fear begets fear. Fear is love turned inside out, love hidden from the light. Love is fear turned inside out, fear exposed to the light. Take it upon yourself to expose the fear to the light or to bury the fear into the darkness, from here only love will sprout; whether from beneath you or from above you, love will command this fear to leave, returning the fear back to the illusion from which it was birthed. Turn yourself, this intricate fabric of life you be, and in your turning the truth shall be.” ~ Sam

The cloth of this world is a precise image: a piece of black fabric, black on both sides. Somewhat like a pillowcase and similar to a hood of a jacket unattached to the whole.

Love is on one side of the black cloth, and fear is on the other side.

If love be on the outside, exposed, then the image of love can be turned inside out, exposing the counterside of fear. When this happens, it is a step in faith, wherein fear is taken out of the dark and exposed to the light, rebirthed and sprouting from the hidden foundation of love. Here while love is nuturing the soils beneath, fear is exposed to be cleansed and taken by the light. Soon only love remains.

Some cloths begin with fear on the outside, with love yet not exposed. This fear is utilized as a shield of sorts, a means of protection from perceived cruelness.

When this unbridled fear is turned inside out, and love is placed on the outside, this fear taken out of the spotlight, no longer used as shield, and put into the darkness to rest, then the other side of the fabric, of love, is exposed.

In this way the light of love is brought forward. This love becomes brilliant once exposed. Because this love shines so brightly, the cloth on the other side, beneath love, where fear rests, is penetrated and cleansed.

Thusly in so turning fear inside out, the whole of the fabric is turned to love.

In so doing, the fabric is cleansed on both sides, entirely whole in love.

Where there was once fear, no fear remains, only an effervescent glow of love.

I see this as a way to heal the world, as one upon the next the fear is exposed to the light, either by turning the fear under or turning the fear outward.

I see this clearly.

I see this continual rebirthing of love, as I feed my own fear to the light.

For the light is not damaged my illusion, and the light can only see love.

In so doing, in willingly turning over the fabric of what I be, I am instantly healed.

Proclaiming my fear to the world in totality sets me free.

The cloth I am is purified by love and light, so that the stitchings of my soul radiate the truth beyond the illusion of fear.

With nothing buried beneath, I am freed.

I think this is the time of shedding for the world, for the cloths to be turned inside-out in whatever fashion need be, for the fear to be laid to rest, evaporated, and lifted, though illusion it be.

For it is in the gentle stirrings of love we are each healed, my healing affecting another’s healing, and vise versa.

It is in the clinging on to illusion of fear that we are buried deeper into a place of disillusionment and isolation, wherein illusion (fear) is given the power that love naturally carries.

It is in being fearless, in fearing less, in trusting in the power that is, that we be set free.

Behold this imaginary fabric, that is more real than real, and twist and contort your cloth, to surmise your doings and bearings, and to find the gentle way into peace; wherein your fear is admitted and released all with the touch of thought, with the hand of spirit, given up to that who can take freely without harm and return divinely what is inherently good in you: you in completion, the illusion lifted, and your self revealed.

Go to your neighbor and announce to him your fear, whatever it be. If they are truly carrying the light of love, they will embrace you in totality. If they are not, then perhaps it be time to look elsewhere.

Say onto another: “I am afraid.” Of what or whom, it does not matter. For in admitting your fear you have released it.

Admit and release, and the gentleness of love shall embrace you. For it is in the emotions of naught that love is rebirthed again and again.

To give of fear freely, to pronounce this fear to the world, and then to watch it dissipate is your task, and your task alone. For only then will the healing of one affect the healing of all.

There is no enemy outside self, outside this fear.

All is illusion birthed from the bed of fear.

Step into the light and watch the illusion shed.

Be whole in your goodness.

Shine bright.

And recognize where there was once misfortune and pain, there only be gratitude.

For you have been shown the truth, as your eyes are ready to see, and in this seeing you are eternally blessed. Embraced in the light of the world that emanates from your being put here to show the truth of spirit, that together in unity, in mission, in the unfolding and refolding of self, we can proclaim the goodness of one and in turn announce the goodness of all.

There are no shadows, no mysteries, no chambers of hidden secrets, there is only stepping into the light, again and again and again, until you are spirit, beacon upon beacon radiating the joy to the world upon worlds, and lifting the ailments of soul to the next level of enlightenment.

With a step of faith move into this illusion fear, and there purge, like no other, the imaginary demons that stir you, where light was meant to be.

Turn out your fabric to the sun, as cloth is hung out in the day; turn out your cloth to the dark as seed is buried in soil, and see what is rebirthed from the illusion of thirst and want; turn out your blessed cloth, and expose your unyielding light to the world.

It is time, and I await you here, my dear blessed one.